Celebrated actor and star of Plein Soleil and Le Samouraï has died, his children have said
Alain Delon, the celebrated actor who starred in a string of classic films such as Plein Soleil, Le Samouraï and Rocco and His Brothers, has died aged 88, his children have told French media.
“Alain
Fabien, Anouchka, Anthony, as well as [his dog] Loubo, are deeply
saddened to announce the passing of their father. He passed away
peacefully in his home in Douchy, surrounded by his three children and
his family,” they said in a statement, adding that the family asked for
privacy.
Identified
with French cinema’s resurgence in the 1960s, Delon played a string of
cops, hitmen and beautifully chiselled chancers for some of the
country’s greatest directors, including Jean-Pierre Melville, René Clément and Jacques Deray. He also made films with auteurs including Luchino Visconti, Louis Malle, Michelangelo Antonioni and Jean-Luc Godard – though he never quite succeeded in his attempts to make it in Hollywood.
The
French president, Emmanuel Macron, wrote on X that Delon had through
his acting roles “made the world dream … he offered his unforgettable
face to shake our lives”.
“He was more than a star. He was a French monument,” Macron added.
Brigitte Bardot, who starred with Delon in the
1961 film Amours Célèbres, was “devastated” by his death, according to
the animal protection foundation she now runs.
“Today,
it is with a heavy heart we learn of Alain Delon’s death. He was an
exceptional man, an unforgettable artist and a great friend to animals,”
the Brigitte Bardot Foundation said in a statement.
Brigitte Bardot, who is devastated
by his death. Their friendship, based on a shared love of animals and a
shared concern for their welfare, was precious and genuine. Alain
understood the profound link between man and animal.” Delon, a dog
lover, once said he would wish to be reincarnated as a malinois.
Born in 1935 in Sceaux in the Paris suburbs, Delon
was expelled from several schools before leaving at 14 to work in a
butcher’s shop. After a stint in the navy (during which he saw combat in
France’s colonial war in Vietnam), he was dishonourably discharged in
1956 and drifted into acting. He was spotted by the Hollywood producer David O Selznick
at Cannes and signed to a contract, but decided to try his luck in
French cinema and made his debut with a small role in Yves Allégret’s
1957 thriller Send a Woman When the Devil Fails.
Delon’s intense good looks made an immediate impact and he swiftly graduated to lead roles. In 1958 he was cast opposite Romy Schneider
in Christine. They played a soldier and a musician’s daughter who fall
in love. Delon and Schneider began a high-profile real-life romance off
the set, which confirmed Delon’s burgeoning reputation as a sex symbol.
In 1960 he made two films that had a significant impact internationally: the Patricia Highsmith adaptation Plein Soleil (AKA Purple Noon) and Rocco and His Brothers. The former, a French-language version of The Talented Mr Ripley, turned Delon into a major star
while Rocco, a saga about a southern Italian peasant family moving to
the prosperous north, brought him into the orbit of Visconti, one of
Europe’s foremost auteurs. Another Italian auteur, Antonioni, cast him
as a smooth-talking stockbroker in 1962’s L’Eclisse. Delon reunited with Visconti in 1963 for The Leopard (AKA Il Gattopardo), a large-scale epic set in Risorgimento Sicily, adapted from the celebrated Lampedusa novel.
Such
was Delon’s international profile that he began a serious attempt to
break into English-language movies, starting with a small role in the Anthony Asquith-directed
anthology comedy The Yellow Rolls-Royce. Delon appeared in Lost
Command, about French paratroopers in the second world war, the Dean Martin
western Texas Across the River, and Is Paris Burning?, another wartime
epic starring Kirk Douglas. However, none were successful enough in
Hollywood to establish him there, and Delon returned to France.
In
1967 he made the cult classic Le Samouraï with the director Jean-Pierre
Melville, in which he played a raincoat-wearing hitman. That film’s
domestic success kicked off a string of crime films, including The
Sicilian Clan alongside Jean Gabin,
the Marseille-set Borsalino directed by Deray, and another Melville
classic, The Red Circle. Delon also found time to appear opposite Marianne Faithfull in Girl on a Motorcycle, in which a leather-clad Faithfull rides a bike across Europe, as well as in La Piscine opposite his former lover Schneider – which was remade in 2016 as A Bigger Splash with Tilda Swinton and Ralph Fiennes.
La Piscine coincided with a huge public scandal, the “Markovic affair”, which reached into France’s highest echelons after Delon’s bodyguard Stefan Markovic was found dead in a rubbish dump
in 1968. François Marcantoni, a notorious underworld figure and
longtime friend of Delon’s, was charged with murder but the charges were
eventually dropped. The plot thickened when compromising photos
belonging to Markovic were uncovered that allegedly showed members of
the French elite, including the wife of the presidential candidate
Georges Pompidou. In the end nothing was proved, but Delon’s close
association with a gallery of unsavoury characters became widely known.
Through the 1970s Delon continued to make films at
a steady pace, without the same level of impact as in previous decades.
Monsieur Klein, in which Delon played an art dealer during the second
world war whose identity is confused with a Jewish fugitive of the same
name, won the César for best film in 1977; in 1985 he won the best actor
César for Bertrand Blier’s surreal fable Notre Histoire. Delon also
branched out, producing a string of films with his own company, making
his directorial debut in 1981 with Pour la Peau d’un Flic, and promoting
boxing and designing furniture.
Delon began to
slow his output in the 1990s after playing a double role in Jean-Luc
Godard’s Nouvelle Vague. In 1997 he announced his retirement from
acting, but he returned in 2008 to play Julius Caesar in the French
live-action hit Asterix at the Olympic Games.
Delon had a complicated personal life, including extended relationships with Schneider, Mireille Darc
(from whom he separated in 1982 after 15 years together) and Rosalie
van Breemen, a Dutch model with whom he had two children and from whom
he separated in 2002. He was married to Nathalie Delon from 1964 to
1968; they had one child, Anthony, in 1964. In 1962 the singer and model
Nico gave birth to a son, Christian; Delon denied paternity but the child was adopted by Delon’s mother.
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